Tuesday, January 29, 2013

1.28 Introduction to research methods

Note: The 2013 reaction paper to Berlin (Major Pedagogical Theories) was posted Saturday 2.2 at noon.  If you downloaded an earlier version => update.  The 2013 is very much the same as the 2012 version but there are some changes. 

Purpose of the course
  • For developing + understanding research
  • Learning uniform way of conducting + presenting research
  • Helping students figure out what “paradigm” they are going to use = what your belief system is with respect to doing research
  • Who you are as a researcher
  • Learning to learn how to find information => distinguishing between academic and not OK sources
  • Researching different methods of research
  • To personalize what works best for you
  • Research information about composition=> learn some more about composition as a discipline
  • Understand how to do “appropriate research”
  • Lay the groundwork for the thesis
 This list is, in fact, a pretty good match for the course objectives - and for the readings/writing assignments on the calendar.  And that is good.

We then had a perhaps more important discussion, which was about what you want/need out of this course to move successfully through your graduate studies.  That list looked like this:


What you want

Figure out what you want to do your thesis on


Generate ideas for thesisF
Explore the range of possible projects
Do some more exploration of composition studies/writing studies as a discipline
Try out some ideas for a thesis
Learn how to read and write research essays
 
This list indicates that we, as a class, are going to want to spend some time exploring the field and looking for a place that feels interesting enough to write a thesis about in that field, and that we will want to work together to make sure you are "getting" the readings.

The reaction papers should help with that.  I also suggested that you form reading groups (to go over reading assignments in Mertens and Villanueva - together).  This is probably the most painless way to get comfortable in the discipline.  We will do group work and have whole class discussions in class - but reading groups will give you a low stakes place to develop your voice and discover your authority as a compositionist.


Syllabus
You told me what you saw as most important in the syllabus - and from the points you picked out => I was feeling a lot of performance anxiety.   T
The NIH training should be self explanatory. 
You were also interested in the exams. Rafael asked for sample questions - but I am simply going to tell you the focus for each exam, up front so you can think about it all term.  Here is what is important for the exams.  

For the midterm
1. Make sure you understand the axiological, epistemological, ontological and methodological assumptions for the research paradigms outlined by Mertens. 

2.  Think about what pardigm each of the readings from Villanueva fall into . As Mertens points out, they are messy and studies don't always fall clearly into one categorye or another.
3. Think about your own assumptions - and be prepared to explain where you fit as a researcher - and why.

For the final
Think about how & which parts of the theory/practices we have read about you find most relevant to a future as a writing teacher.  Be prepared to outline how you would apply them in your teaching and research - and why. 


Research Paradigms
We spent the rest of class looking at three hypothetical (made up) studies that correspond(roughly) the the assumptions from 3 of Mertens' research models.  We talked about them in terms of what they assumed about what counted as knowledge, what they assumed was "ethical" in terms of relationships to participants and to they ways they produced knowledge, and we discussed what the methods implied about what the researchers assumed about "the way the world is/works".  This discussion was meant to give you some experience connecting your assumptions/beliefs/values to the paradigms described by Mertens - before all the big language was introduced.  The discussion on this raised all the right questions - and indicated how many different perspectives there are on the "right" way to do research.  I though this worked pretty well - though we needed about another 30 minutes (as usual).


For next week:
Read: Ch 1 (what we did in class) and  Ch 3: Literature Review in Mertens;  Berlin (1982), 235 (in CT).
Write:  NIH training


Those of you who are new students, please complete the survey.

Because we didn't get it finished in class - please spend some time on the writing to explore your writing interests. If you write to the first set of prompts (freewriting, drafty, off the top of your head/unedited) we will start class with a discussion of some of what you noticed , followed by some directed writing for the second part. I know it is going to be easy to read through this and think I know what I would put here - but it is important to write it. And use all your self control to keep from editing out the ridiculous suggestions. They are important.

After we do some talking about what you might want to do for your research project, we will talk a little more about research paradigms in light of Chapter 1, and we will go over what she has to say about literature revues.
I will then present a sample reaction paper for the Berlin essay (which is a kind of literature review essay). We will then go over the assignment for reaction paper (posted to the right) and you will sign up for a paper to react to.

We will close class with some focused discussion on literature reviews for your thesis.





 

Monday, January 28, 2013

Chance to network with other compositionists

On Friday, 22 February, the WPA Metropolitan Affiliate along with Bedford/St. Martin's Publishers will sponsor a day-long mini-symposium to address current issues in composition and rhetoric: disciplinary identity, "standards" policies, research in the field, contingent labor, and support services. We propose this free day of interactive sessions as one of exchange and discussion between graduate students, adjunct instructors, full-time faculty, writing program administrators, and any one else interested in the instruction of writing. See workshop descriptions below.
The day will consist of morning and afternoon sessions where attendees will participate in hands-on workshops, a lunchtime speaker talk with Susan Miller-Cochran (North Carolina State University), and the day's event will conclude with the Mina Shaughnessy Speaker Series featuring Linda Adler-Kassner (UC, Santa Barbara) and Peter Gray (Queensborough Community College/CUNY).
Please join us on Friday, 22 February 2013 at John Jay College of Criminal Justice in N.B. 9.64 from 9:30AM - 3:15PM. (Mina Shaughnessy Speaker Series begins at 3:30PM.) This FREE full-day event (including breakfast, lunch, and reception) will be supported by Bedford/St. Martin's Publishers. Please RSVP Mark McBeth at JJMark.McBeth@yahoo.com if you (or a group with a proposed number of attendees) plan to attend.
See attached event flyers!
John Jay College of Criminal Justice 524 59th Street (between 10th & 11th Aves.) Take the 1, A, B, C, or D to Columbus Circle and walk west to 10th Ave.
WPA Metropolitan Affiliate: A Mini-Symposium Schedule
9:30- 10:30AM Breakfast and Introductions to the Day’s Activities New Building 9.64
10:30- 11:45AM Morning Discussion/Workshop Groups
1)Cultivating the Writing Studies Tree
Facilitators: Ben Miller/CUNY Graduate Center & Amanda Licastro/CUNY Graduate Center
Explore your past, connect to colleagues, and trace your intellectual lineage in this interactive computer classroom. The Writing Studies Tree is an open-access web-based platform that will, with your help, enable all members of our profession to centrally record their lines of influence as mentors and students, and thus to uncover a history that has until now remained either anecdotal or invisible. Our goal is to create a comprehensive genealogy of writing studies, identifying academic “ancestors,” “descendants,” and “siblings.” Who are yours?
2) Investigating the Framework for Success in Postsecondary Writing
Facilitators: Peter Khost/Stony Brook, SUNY & Mark McBeth/John Jay, CUNY
TheFramework for Success in Postsecondary Writing, developed by members of the Council of Writing Program Administrators (CWPA), the National Writing Project (NWP), and the National Council of Teachers of English (NCTE), offers guidelines that support productive habits of mind in college writers. These presenters provide a critical overview of the Framework, and ask participants to consider how it fits into the writing missions of their own institutions.
3) Researching as a Writing Teacher/WPA
Facilitator:Risa Gorelick/College of St. Elizabeth
Research in the writing classroom has driven the impetus of our field, turning our interests in the processes of writing into the disciplinary field of composition and rhetoric. In this sessions, participants discuss aspects of the design, methods, and policies of research.
4) Considering Contingent Labor Issues for Writing Programs
Facilitator: Nicole Wallack/Columbia University
Non-tenure track faculty comprise approximately 75% of the academic workforce in the United States, many of whom work in part-time positions. As writing program faculty and administrators know well, many institutions increasingly depend upon part- and full-time faculty to staff writing courses and centers, but do not provide people in these positions with the material and professional support on which the best teaching and learning depends.In this workshop we will identify current issues in our home departments that pertain to contingent faculty members and consider their impact on writing curricula and services. We will examine current reports on the conditions faced by professional organizations including the Modern Language Association (MLA), the New Faculty Majority (NFM), and others, and identify positive models for non-tenure track faculty. We will identify how the WPA-Metro Affiliate Group and tenure-track allies can support part and full-time non-tenure track faculty and administrators.
5) Fashioning the Writing Center as an Institution-wide Program"
Facilitator: Brian Fallon/Fashion Institute of Technology/SUNY
This session is about thinking big when it comes to writing center administration, and positioning your writing center at the heart of teaching and learning conversations on campus. Many WAC/WID focused writing centers are already invested in this type of cross-institutional, interdisciplinary effort; however, writing center professionals and tutors often have special insight into teaching and learning practices that are valuable to other departments at your institution. This session will explore how to capitalize on this knowledge in order to effect institutional change and to position your writing center in a leadership role when it comes to writing, thinking, learning, researching, and teaching on campus.
Noon- 1:30PM
Lunchtime Presentation by Susan Miller-Cochran, Director of Freshman Year Program at North Carolina State University
New Building 9.64
2 -3:15PM Afternoon Discussion/Workshop Groups
1) Cultivating the Writing Studies Tree
Facilitators: Ben Miller/CUNY Graduate Center & Amanda Licastro/CUNY Graduate Center
See description above.
2) Investigating the Framework for Success in Postsecondary Writing
Facilitators: Peter Khost/Stonybrook/SUNY & Mark McBeth/John Jay/CUNY
See description above.
3) Researching as a Writing Teacher/WPA
Facilitator:Risa Gorelick/College of St. Elizabeth
See description above.
4) Considering Contingent Labor Issues for Writing Programs
Facilitator: Nicole Wallack/Columbia University
See description above.
5) Fashioning the Writing Center as an Institution-wide Program
Facilitator: Brian Fallon/Fashion Institute of Technology/SUNY
See description above.
3:15– 3:30PM Afternoon Snack/Mingling Time
4:00PM Mina Shaughnessy Speaker Series:
Linda Adler-Kassner and Peter Gray
General Education: Who Decides and Why?
New Building L.61
Enter John Jay College at 524 W. 59th Street (@ 10th Avenue)

Sunday, January 27, 2013

1.28 Research Methods

Welcome to English 5002!

Tonight we will go over the course syllabus and calendar, and begin talking about research methods used in composition studies.

Links to the right provide access to information about training for research that involves human subjects (NIH training) and to other course documents.  Take a look around.